Intermedia is an event-based programme that explores possibilities of counterpointing film, audio, visuals, and performative elements. We hope to invite practitioners interested in the refinement of their practice by challenging and exploring the possibilities in layering various mediums via architecture (metaverse), AR, VR, and live broadcasting.

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Hot House
Presentation #21
Intermedia ,

It’s ‘too hot to think’¹. As Singapore braces for its hottest June, the summer solstice lures in the longest day of the year. This is solar acceleration, where heat death looms amidst an emerging solar epoch².

ʙᴇʏᴏɴᴅ ᴛʜᴇʀᴍᴀʟ ɴᴇᴛᴡᴏʀᴋs is a double bill of two films that excavate our planet’s fevered futures, speculating on what happens when current climate regulation systems face its inevitable entropy. It displays the ingenuity of regulating heat in the tropics, but also lays bare the extent of geo-engineering global projects, atmospheric control mechanisms and the construction of a solar imaginary.

ғᴜᴛᴜʀᴇ ᴛʀᴏᴘɪᴄs (2023) dir. Kent Chan³ pushes observations of tropical expansion (due to the climate emergency) to extreme ends, arriving upon the fictional scenarios of a future and global tropic. The work speculates upon the ramifications of earth’s warming and consequent loss of climate demarcation. In a mono-climatic world of forever-summers, might a global tropic mean the blurring of geographies, histories and cultures?

ᴛʀᴏᴘɪᴄ ᴛᴇᴍᴘᴇʀ (2024) dir. Elizabeth Gabrielle Lee⁴ cracks Singapore’s disciplined tropical facade, infiltrating the city-state’s environmental forgetting program through surveillant climatic infrastructures and extreme terraforming. Ghost voices—Nancy the Peranakan nyonya and omniscient J.A.C.E.—survey endangered mangroves while new energy processing islands rise from the ocean. Nymphs feed on petrol-washed coral reefs where botanical prowess collides with technological spectacle, conspiring against the vision of a solarpunk haven.

Followed by a listening session inspired by humid-haunted-scapes with Safuan Johari.

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Hot House
Presentation #21
Intermedia ,
6.19.2025

Presentation #21, Intermedia

Natalie Khoo is a filmmaker and programmer based in Singapore with a background in archaeology and anthropology. She programmes for Asian Film Archive² and has curated Retrospective: Edward Yang, y2K DreamZ, Orienting Paradise and previously programmed for National Gallery Singapore. Her own films have screened at Kurzfilm Festival Hamburg, Queer East Film Fest, Sea Shorts, Singapore Short Cuts, among others. She has served on the jury of FFD, and Singapore Shorts.

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Presentation #21
Intermedia ,
6.18.2025

Presentation #21, Intermedia

Safuan Johari is an artist who works primarily as a composer, music producer and sound designer. Music-making is usually a world building exercise and the resulting microcosms often meander through traditional, experimental and popular topographies of Nusantara (Maritime Southeast Asia) culture. Started out as a prominent figure in Singapore’s underground music scene, he has expanded his practice into composing for theatre, dance, films and multimedia installations.

Individually and as a collaborator, Safuan has performed, exhibited or presented works at Palais de Tokyo Paris, Festival/Tokyo, Sydney Festival, Worldwide Festival Sète, Singapore International Festival of the Arts and Singapore Fringe Festival.

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Presentation #21
Intermedia ,
8.6.2025

Presentation #21 • Intermedia

What happens when heat gets under our skin and rewires how we think, write, and dream? “Perhaps we need to embrace jungle text, or humid persuasion, or deltaic quandaries, or we could have monsoonal rants. Perhaps we can engage in going troppo.”¹

ʙᴇʏᴏɴᴅ ᴛʜᴇʀᴍᴀʟ ɴᴇᴛᴡᴏʀᴋs at HotHouse presented a double bill screening of two films and a listening session. ʙᴇʏᴏɴᴅ ᴛʜᴇʀᴍᴀʟ ɴᴇᴛᴡᴏʀᴋs excavates our planet’s fevered futures and speculating on what happens when current climate regulation systems face inevitable entropy. 

The screening displayed the urge, fantasies and mania of regulating heat in the tropics. It conjured the extent of geo-engineering projects, atmospheric control mechanisms, and the construction of a solar imaginary.

ғᴜᴛᴜʀᴇ ᴛʀᴏᴘɪᴄs (2023) dir. Kent Chan ³ pushes observations of tropical expansion (due to the climate emergency) to extreme ends, arriving upon the fictional scenarios of a future and global tropic. The work speculates upon the ramifications of earth’s warming and consequent loss of climate demarcation. In a mono-climatic world of forever-summers, might a global tropic mean the blurring of geographies, histories and cultures?

ᴛʀᴏᴘɪᴄ ᴛᴇᴍᴘᴇʀ (2024) dir. Elizabeth Gabrielle Lee ⁴ cracks Singapore’s disciplined tropical facade, infiltrating the city-state’s environmental forgetting program through surveillant climatic infrastructures and extreme terraforming. Ghost voices—Nancy the Peranakan nyonya and omniscient J.A.C.E.—survey endangered mangroves while new energy processing islands rise from the ocean. Nymphs feed on petrol-washed coral reefs where botanical prowess collides with technological spectacle, conspiring against the vision of a solarpunk haven.

Q&A hosted by Natalie Khoo

Listening session inspired by humid-haunted-scapes with Safuan Johari

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Elizabeth G. Lee & Kent Chan
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